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Biography. Rudolph Maté, A.S.C., born Rudolf Mayer (1898–1964), was a Polish-born cinematographer and film director. Maté initially worked in Europe, most prominently on Carl Theodor Dreyer's The Passion of Joan of Arc (1928) and Vampyr (1932), before moving to Hollywood in the mid 1930s.. He was nominated for the Academy Award for Best Cinematography 5 years in a row, beginning with ...
Maté, Rudolph. Enciclopedia on line. Operatore e regista cinematografico (Cracovia 1898 - Hollywood 1964); formatosi con K. Freund, lavorò in Germania, in Francia e negli USA, rivelandosi operatore colto e preparato, prezioso collaboratore di famosi registi: Dreyer ...
Rudolph (“Rudy”) Maté was born Rudolf Matheh on January 21, 1898, in Kraków, Austro-Hungarian Empire (now in Poland). He studied at the University of Budapest. His film career began in 1919, after motion-picture director and producer Alexander Korda hired him as an assistant cameraman.
Rudolph Maté (21. ledna 1898 Krakov, Rakousko-Uhersko – 27. října 1964 Hollywood, Kalifornie, USA) byl polský filmový kameraman a režisér. Život [ editovat | editovat zdroj ] Narodil se v Krakově jako Rudolf Matheh. [1]
Rudolph Maté Director Productor Dir. Fotografía Fecha de nacimiento: 21 enero 1898 Fecha de fallecimiento: 27 octubre 1964 (66 años) Premios. Oscar 1941: 1 nominación; Oscar 1942: 1 nominación; Oscar 1943: 1 nominación; Oscar 1944: 1 nominación; Festival Internacional de Cine de San Sebastián 1954: 1 nominación;
21 de ago. de 2018 · ARTE diffuse Midi, gare centrale (Union Station, 1950) de Rudolph Maté lundi 29 octobre à 22h55.Midi, gare centrale est un film noir original qui s’articule autour de la découverte de l’enlèvement de la petite-fille aveugle d’un riche industriel.C’est l’inquiétude de la passagère d’un train découvrant la présence de deux hommes armés dans un wagon qui va permettre le ...
Rudolph Maté. Director; Cinematographer; Producer '[Roy Seawright on Rudolph Maté] [on Our Relations, 1936] Rudy Maté was a dramatic cameraman. And they had a hell of a time - Stan [Laurel] would not accept the first week's worth of dailies, Maté had lit it too dramatically, with shadows on their faces, under their chins, and so forth.'
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