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Sverre Fehn (14. kolovoza 1924. – 23. veljače 2009.) je jedan od najvažnijih norveških modernih arhitekata; dobitnik Pritzkerove nagrade za arhitekturu 1997. god. Villa Norrköping, Nordengatan, Norrköping, Švedska (1964.) Muzej Hedmark u Hamaru, Norveška (1967. – 79.)
Sverre Fehn: The nature of Norway is nature untamed by cultivation. Here in Norway nature is the norm, whereas in many other places it is the cultivated land that people take for granted. In most parts of Europe almost every tree has been planted, while here, even in Oslo, you can build a villa, let’s say a villa like Villa Schreiner, on pristine land.
The Hedmark Museum, also known as the Storhamar Barn, is one of Fehn’s best known works and unique in Norwegian post-war architecture. The design of various parts of the new museum building and the exhibitions followed Sverre Fehn through long periods of his career. It started in 1967, when the archaeological …
Sverre Fehn (14. august 1924 – 23. februar 2009) var en norsk arkitekt, der blandt andet er kendt for at have skabt den Norske Pavillon til verdensudstillingen i Bruxelles i 1958 og den Nordiske Pavillon til Venedig Biennalerne ().I Danmark er han mest kendt for i 1996 at have tegnet en udvidelse af Det Kongelige Teater kaldet "Teaterfuglen", der imidlertid stødte på så meget modstand, at ...
7 de jul. de 2022 · El arquitecto noruego Sverre Fehn saltó a la fama en la Bienal de Venecia de 1962 gracias a su Pabellón de los Países Nórdicos: una estructura de hormigón armado que diluye los límites entre exterior e interior, y cuya cubierta de vigas de gran canto queda interrumpida por los troncos de algunos árboles preexistentes.
3 de ago. de 2019 · Tres fueron originalmente invitados a elaborar planes para un pabellón "nórdico": la asociación finlandesa Reima y Raili Pietilä, Sverre Fehn de Noruega y el sueco, Klas Anshelm. Tras la selección de la propuesta de Fehn en 1959, Gotthard Johansson escribió en el Dagbladet de Svenska sobre la "sorprendente simplicidad [...] del proyecto, sin demasiados matices arquitectónicos" [1]: una ...
In Sverre Fehn we have a believing architect, and we ignore his quiet and lyrical approach to modern architecture at our peril. He is one of a small category in which we could include Alison and Peter Smithson, Jørn Utzon (since Sydney Opera House) and Sei-ichi Shirai ...
