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  1. Central's History. A short note by Professor Simon Shepherd, Professor Emeritus of Theatre. Elsie Fogerty founded The Central School of Speech Training and Dramatic Art at the Royal Albert Hall in 1906. Fogerty was a specialist in speech training. She also had a firm belief in the social importance of education.

  2. And through it all, Central remains a safe and supportive environment where students are encouraged to experiment with practices at the forefront of theatre and performance, and to interrogate the great traditions that are part of the School’s long history. The immediate future poses challenges but, at Central, you can be part of the solution.

  3. MA Acting Classical at Central is a creatively, physically and intellectually demanding, advanced-level conservatoire acting programme. It is designed primarily for students with previous training or performance experience who wish to focus intensively on plays from the European classical repertoire. Perform in two professionally supported ...

  4. Key features of the MA Applied Theatre are: or specialising in working with people whose lives have been affected by the criminal justice system. The course develops knowledge of the ways in which drama and theatre are used to benefit a range of distinct groups that are key to today’s evolving cultural landscape.

  5. Together, our combined expertise has allowed us to bring “Clean Again” to life with professionalism and passion.” #CSSDCelebratingStudents ** Central students have been invited to contribute to this collaborative series between the Central Student’s Union and Central. ** Image descriptions: 1.

  6. On the Drama, Applied Theatre and Education (DATE) course, you can: Develop skills in areas such as facilitating, devising, directing, performing, playwriting and filmmaking. Become uniquely placed for a broad range of career paths including drama facilitation, directing and performance making, and educational roles in theatre companies.

  7. We work across and between art forms – from theatre and dance to film, live art, and performance – to develop new thinking with the latest technologies and techniques, realised in dialogue with artists, academics, participants and audiences. Our research attends to performance’s manifold genealogies. Produced by a diverse team of ...

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