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12 de nov. de 2012 · The Brood is one of Cronenberg’s purest horror films, and it was also his most technically accomplished piece of work at that point. Although still relatively low budget (it was made for around ...
Die Brut (Originaltitel The Brood) ist ein kanadischer Horrorfilm aus dem Jahr 1979 von David Cronenberg mit Oliver Reed, Samantha Eggar und Art Hindle.. Mehrere Menschen aus dem Bekanntenkreis des Architekten Frank Carveth fallen einer Mordserie zum Opfer. Die Täter, eine Gruppe von entstellten Kindern, entpuppen sich als parthenogenetisch gezeugte Produkte von Carveths psychisch gestörter ...
BROOD definition: 1. a group of young birds all born at the same time: 2. a person's young children: 3. to think…. Learn more.
17 de oct. de 2019 · The Brood (David Cronenberg – 1979) En The Brood, el psiquiatra Hal Raglen inventa una terapia especial para tratar psicópatas que consiste en la somatización de los trastornos mentales del enfermo. Cuando somete a una mujer a este proceso de curación, contra lo previsto, se desata la furia de la paciente. IMDb Rating: 6,8.
The Brood. Directed by David Cronenberg • 1979 • Canada. Starring Oliver Reed, Samantha Eggar, Art Hindle. A disturbed woman is receiving a radical form of psychotherapy at a remote, mysterious institute. Meanwhile, her five-year-old daughter, under the care of her estranged husband, is being terrorized by a group of demonic beings.
The Brood is a film directed by David Cronenberg with Oliver Reed, Samantha Eggar, Art Hindle, Cindy Hinds .... Year: 1979. Original title: The Brood. Synopsis: A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.You can watch ...
21 de nov. de 2014 · He declared The Brood his version of Kramer vs. Kramer – a family melodrama as only Cronenberg could make. He deliberately cast the couple – played by Art Hindle and Samantha Eggar – as vague physical facsimiles of himself and his wife and the climax of their scene together led him to regard it as his “most cathartically satisfying film”.
