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Two Ecstatic Themes est la clé de voûte du travail de Doris Humphrey. La première partie est composée de mouvements cycliques, en spirale, doux et coulants, pour transmettre un sentiment d'acquiescement. La deuxième partie, contrairement à la première, se compose de mouvements pointés, stridents, suggérant une certaine agressivité. L'ensemble est un contrepoint de mouvement ...
Humphrey, Doris (1895-1958) By Main, Lesley. In the history of modern dance, Doris Humphrey’s significance traverses performance, choreography, pedagogy, and advocacy for the emerging art form in mid-century America. Her explorations of natural movement drew on principles she identified as ‘fall and recovery’, the yielding and resistance ...
Doris Humphrey commence à étudier la danse et le mouvement en 1916 avec la Denishawn Company. En 1918, elle se joint à Charles Weidman pour former la Humphrey Wiedman Company. Elle travaille sur sa chorégraphie non seulement en développant des idées novatrices sur le corps en mouvement, mais aussi en mettant en place sa propre philosophie de la relation individuelle à la société.
30 de abr. de 1991 · But Humphrey is considered something of a lost choreographer. Only a handful of her 97 dances are performed, and then infrequently, though she was one of the first major choreographers to believe ...
Doris Humphrey Batcheller (17 de outubro, 1895 - 29 de dezembro de 1958) foi uma bailarina e coreógrafa do século XX. Juntamente com seus contemporâneos Martha Graham e Katherine Dunham Humphrey foi um dos de segunda geração de dança moderna pioneiros que seguiram seus precursores, incluindo Isadora Duncan , Ruth St. Denis e Ted Shawn - em explorar o uso da respiração e desenvolvendo ...
Doris Humphrey (1895-1958) was one of the great figures in the development of modern dance - as a performer, teacher, choreographer, and theoretician. This account of her life and work not only tells the passionate story of an extraordinary woman, but is rich in dance history. It is based on Humphrey's own writings: statements prepared for dance journals, correspondence with family and friends ...
