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  1. On DAVES: film— Wilkinson, Hazel, director, The Critic and "3:10 to Yuma," Great Britain, 1961. Delmer Daves is perhaps best remembered for the highly successful youth-oriented movies that he made for Warner Brothers in the late 1950s and early 1960s.

  2. Delmer Daves’s 3:10 to Yuma, driven by compelling mano a mano suspense, is quite a yarn. It’s no surprise, then, that it’s based on a story by the estimable Elmore Leonard. Known predominantly for his crime fiction such as Get Shorty and Rum …

  3. Descubre todas las películas de la filmografía de Delmer Daves. De sus inicios hasta el final de sus 24 años de carrera.

  4. Delmer Lawrence Daves (San Francisco, 24. srpnja 1904. – La Jolla, 17. kolovoza 1977.), američki režiser i scenarist. U svojim filmovima najčešće obrađuje teme o društvenim odnosima razvlašćenih i potlačenih, o čemu najbolje svjedoči njegov film vestern Slomljena strijela o odnosima bijelaca prema Indijancima.

  5. Delmer Daves, Russell S. Hughes. Novela: Paul Wellman. Jubal (Glenn Ford), un vaquero de reputación intachable, acepta la oferta de un rico terrateniente (Borgnine) para trabajar como capataz en su rancho. Aunque Jubal rechaza las insinuaciones de la mujer del ranchero, es acusado de adulterio y tiene que batirse en un duelo del que sale vencedor.

  6. Fiebre en la sangre es una película dirigida por Delmer Daves con Henry Fonda, Maureen O'Hara, James MacArthur, Donald Crisp, Veronica Cartwright. Año: 1963. Título original: Spencer's Mountain. Sinopsis: El temperamental Clay Spencer (Henry Fonda) y su mujer Olivia (Maureen O'Hara) viven en un valle de Virginia, al pie de la montaña que un día perteneció a Zebelon Spencer, padre de Clay.

  7. 25 de jun. de 2015 · Delmer Daves died in 1977 and was survived by his wife, the author Mary Lou Lawrence, a son and two daughters. Film critic Kim Newman said of Daves and Anthony Mann that they were able to “ring changes” on seemingly familiar Western storylines by “playing up the psychologically acute reflections of their characters” in relation to the landscape as well as to each other.