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Edward Gordon Craig was an English actor, theatre director-designer, producer, and theorist who influenced the development of the theatre in the 20th century. Craig was the second child of a liaison between the actress Ellen Terry and the architect Edward William Godwin. Like Edith (the other child
Edith Craig (1869-1947) was a member of the Lyceum Theatre Company for many years, working with her mother and brother, Edward Gordon Craig, under the direction of Henry Irving. She designed and made costumes for many London productions, but in later years became engaged in stage management and play productions.
4 de dic. de 2022 · Deeds and Words. New Generation Thinker Dr Diarmuid Hester considers the radical life of Edith Craig, theatre director, costume designer and early pioneer of the women's suffrage movement. Show ...
1 de ene. de 1998 · As a woman and as a lesbian, Edith Craig found that her work in theatre and film received uneven critical attention, sometimes being ignored and frequently undervalued. Her achievements as an actress, costume designer, stage director and, in her later years, as pageant organizer are assessed here in detail for the first time, fifty years after her death, with new insights from material in the ...
9 de abr. de 2021 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
Clare 'Tony' Atwood (Richmond, 11 de mayo de 1866 – Tenterden, 2 de agosto de 1962) fue una pintora británica de retratos, bodegones, paisajes, interiores y temas florales decorativos. Atwood vivió en un ménage à trois con la dramaturga Christabel Marshall y la actriz, directora de teatro, productora y diseñadora de vestuario Edith Craig desde 1916 hasta la muerte de Craig en 1947.
The place changed after Edith Craig's death in 1947, after which it was run by her cousin Olive Chaplin who, according to Steen, even came to resemble Terry. The kind of memorialization which Lisa Kazmier has discussed in her article is alluded to by Steen in her description of the transformation of The Farm into ‘a kind of theatrical Lourdes’.
