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  1. 11 de dic. de 2023 · Eva Palmer-Sikelianos estimated Net Worth, Salary, Income, Cars, Lifestyles & many more details have been updated below. Let’s check, How Rich is Eva Palmer-Sikelianos in 2020-2022? According to Wikipedia, Forbes, IMDb & Various Online resources, famous Student Eva Palmer-Sikelianos’s net worth is $1-5 Million before died.

  2. Evelina "Eva" Palmer-Sikelianos (bahasa Yunani: Εύα Πάλμερ-Σικελιανού; 9 Januari 1874 – 4 Juni 1952) adalah seorang wanita Amerika yang terkenal karena studinya dan promosi budaya Yunani Klasik, tenun, teater, tarian paduan suara, dan musik.Kehidupan dan usaha artistik Palmer bersinggungan dengan banyak seniman terkenal sepanjang hidupnya.

  3. Eva Palmer Sikelianos: A Life in Ruins by Leontis, Artemis - ISBN 10: 0691171726 - ISBN 13: 9780691171722 - Princeton University Press - 2019 - Hardcover. Skip to main content. abebooks.com. Search. Sign in My Account Basket Help. Menu. Search. My Account My Purchases Advanced Search ...

  4. Evelina Eva Palmer-Sikelianos (Greek: Εύα Πάλμερ-Σικελιανού; January 9, 1874 – June 4, 1952) was an American woman notable for her study and promotion of Classical Greek culture, weaving, theater, choral dance and music. Palmer's life and artistic endeavors intersected with numerous noteworthy artists throughout her...

  5. Abbe, Catherine (also Catherine Amory Bennett, Catherine Palmer) (1843–1920). Eva’s mother and a social activist who supported women’s suffrage and was a foundi

  6. Evelina "Eva" Palmer-Sikelianos (en griego, Εύα Πάλμερ-Σικελιανού; 9 de enero de 1874 - 4 de junio de 1952) fue actriz, bailarina, musicóloga y textilista estadounidense experta en temas de la Grecia antigua.La vida y sus esfuerzos artísticos se cruzaron con numerosos artistas a lo largo de su vida. Se inspiró o inspiró a los bailarines Isadora Duncan y Ted Shawn, la ...

  7. At the first Delphic Festival of 1927, Eva Palmer-Sikelianou presented a pioneering out-door production of Aeschylus' Prometheus Bound. Three years later, she staged repeat performances of the Prometheus and added a new production of Aeschylus' Suppliant Women. At first sight, it appears as if, at both festivals, Palmer-Sikelianou paid minimal attention to stage-design, whereas she took care ...