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30 de ene. de 2004 · Girl with a Pearl Earring: Directed by Peter Webber. With Colin Firth, Scarlett Johansson, Tom Wilkinson, Judy Parfitt. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.
Girl with a Pearl Earring is Vermeer’s most famous painting. It is not a portrait, but a ‘tronie’ – a painting of an imaginary figure. Tronies depict a certain type or character; in this case a girl in exotic dress, wearing an oriental turban and an improbably large pearl in her ear. Johannes Vermeer was the master of light.
Análise da pintura “Girl with a Pearl Earring” de Johannes Vermeer. A “Garota com Brinco de Pérola” é considerada como a Obra-prima de Johannes Vermeer e é conhecida como a “Mona Lisa do Norte” ou “A Mona Lisa Holandesa”. Seu título original era “Garota com Turbante”. A modelo da pintura foi provavelmente a filha mais ...
Girl with a Pearl Earring is a 2003 drama film directed by Peter Webber from a screenplay by Olivia Hetreed, based on the 1999 novel of the same name by Tracy Chevalier. Scarlett Johansson stars as Griet, a young 17th-century servant in the household of the Dutch painter Johannes Vermeer (played by Colin Firth) at the time he painted Girl with a Pearl Earring (1665) in the city of Delft in ...
Johannes Vermeer c. 1665 (digitized by Madpixel) Girl with a Pearl Earring is Vermeer’s most famous painting. It is not a portrait, but a ‘tronie’ – a painting of an imaginary figure. Tronies depict a certain type or character; in this case a girl in exotic dress, wearing an oriental turban and an improbably large pearl in her ear.
21 de oct. de 2014 · As Vermeer’s Girl with a Pearl Earring returns home to The Hague, Alastair Sooke delves into the story of the mysterious painting – and its enigmatic creator. Swivelling to her left, she ...
Banksy even turned her into graffiti on a Bristol wall, with a security alarm in place of her earring. Vermeer's Girl with a Pearl Earring hanging at the Mauritshuis (From the collection of Mauritshuis) It wasn’t always so iconic, though. We don’t know whom Vermeer first painted it for in 1665-66, but it ended up in his patron’s ...
