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Hace 5 horas · In an already complex, contested filmography, Numéro Zéro (1971) has always been the hardest of Jean Eustache’s films to see, yet Eustache himself spoke about it as a major leap forward in his understanding of film; as indicated by the title, it is a self-conscious return to zero, a return to a new mode of making films. As Eustache explains in a 1971 interview published by La Revue du cinéma:
