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  1. Hace 4 días · In his String Quartet No. 2 (1907–1908), Erwartung (1909), and Pierrot lunaire (1912), Schoenberg visited extremes of emotion; in self-portraits he emphasized his intense gaze. While working on Die Jakobsleiter (from 1914) and Moses und Aron (from 1923), Schoenberg confronted popular antisemitism by returning to Judaism and ...

  2. Hace 6 días · Work Title: Pierrot lunaire aka Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" Composer: Schoenberg Arnold Libretto: Albert Giraud ; Venue & Opera Company: Pierre Boulez Saal, Berlin, Germany ; Recorded: 2021; Type: Concert Live; Singers: Mojca Erdmann; Conductor: Zubin Mehta Orchestra: Boulez Ensemble, Daniel Barenboim

  3. Hace 2 días · It’s not hard to imagine how the public reacted to Arnold Schoenberg’s song cycle Pierrot Lunaire (Moonstruck Pierrot) when it premiered in 1912. To start, there’s the text, full of grotesque, blasphemous, and graphic, lascivious imagery.

  4. Hace 5 días · Work Title: Pierrot lunaire aka Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" Composer: Schoenberg Arnold Libretto: Albert Giraud ; Venue & Opera Company: Hallé St.Peters, Manchester, England ; Recorded: 2020; Type: Concert Live; Singers: Claire Booth; Conductor: Orchestra: Psappha Ensemble ; Stage Director: Costume ...

  5. 10 de jun. de 2024 · Pierrot Lunaire is two or three years later, so it’s hard not to see Pierrot as Schoenberg himself on some level: the tribulations of the love triangle are an obvious link to the Pierrot story. You can’t dismiss them as just jolly cabaret songs: in the truest spirit of cabaret (and indeed Cabaret ), there’s a really dark ...

  6. 10 de jun. de 2024 · Then, in 1912, modernist composer Arnold Schoenberg debuted a revolutionary new sound with “Pierrot lunaire,” featuring flute, clarinet, violin, cello and piano along with a narrator.

  7. 8 de jun. de 2024 · Arnold Schoenberg’s “I. Mondestrunken” is an exquisite musical composition from his song cycle Pierrot lunaire. The lyrics were inspired by the poetry of Albert Giraud and Otto Erich Hartleben, and Schoenberg’s unique atonal musical style perfectly captures the essence of the words.