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El Hotel (L'hôtel) es una serie de fotografías que acompañan el diario escrito por la artista Sophie Calle en 1981, cuando le dieron el trabajo de mucama en un hotel de Venecia por tres semanas.
The Hotel, Room 29 Sophie Calle. 1981. The Hotel, Room 44 Sophie Calle. 1981. Purloined (Turner) Sophie Calle. 1998–2013. Disparates (Romulus and Remus) Peter de Francia. 1974. The Reserve of Dead Swiss Christian Boltanski. 1990. Room 6 Channel View Hotel (1) Richard Wilson. 1996.
In early 1981 the artist was hired as a chambermaid in a Venetian hotel. For three weeks, she photographed the contents of the twelve rooms under her care-opening unlocked luggage, cataloguing personal effects, reading mail and journals-and kept extensive notes of her discoveries.
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The Hotel is one of the earliest works where Sophie Calle systematically intrudes into and documents the private lives of other people. This strategy is rooted in her own past: In her youth, Calle left her native city of Paris in order to travel around the world.
Après Les Dormeurs et la Suite vénitienne, Sophie Calle poursuit ses enquêtes avec L’Hôtel, montrant comment les occupants d’un hôtel vénitien laissent en leur absence leur chambre vide.
A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing...
