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  1. 9 de abr. de 2011 · April 9, 2011. Sidney Lumet, a director who preferred the streets of New York to the back lots of Hollywood and whose stories of conscience — “12 Angry Men,” “Serpico,” “Dog Day ...

  2. Sidney Lumet (Philadelphia, 25. lipnja 1924. – 9. travnja 2011.) je bio američki filmski i televizijski redatelj, autor više od 50 filmova, kao što su hvaljeni 12 gnjevnih ljudi (1957.), Pasje poslijepodne (1975.), TV mreža (1976.) i Presuda (1982.), za koje je zaradio nominacije za Oscara. 2005. je nagrađen Oscarom za ...

  3. ro.wikipedia.org › wiki › Sidney_LumetSidney Lumet - Wikipedia

    Sidney Lumet (n. 25 iunie 1924 — d. 9 aprilie 2011) a fost un regizor de film american cu peste 50 de filme printre care 12 Angry Men (12 oameni furioși) (1957), Serpico (1973), După-amiază de câine (1975), Network (Rețeaua) (1976) și Verdictul (1982), filme pentru care a fost nominalizat la Premiul Oscar pentru Cel mai Bun Regizor.. Conform Encyclopedia of Hollywood, Lumet a fost unul ...

  4. 3 de may. de 2021 · Nancy Buirski’s 2015 documentary, By Sidney Lumet, attests to the fact that Lumet’s familial and artistic patrimony emerged from New York’s Yiddish Theatre. The son of Polish Jewish emigrants, Lumet’s mother was a dancer and his father an actor, director, producer and writer. The dramaturgical dimension to Lumet’s craft has been a ...

  5. it.wikipedia.org › wiki › Sidney_LumetSidney Lumet - Wikipedia

    Sidney Lumet. Sidney Lumet al Festival internazionale del film di Toronto nel 2007. Oscar onorario 2005. Sidney Arthur Lumet ( AFI: [luːˈmɛt]) ( Filadelfia, 25 giugno 1924 – New York, 9 aprile 2011) è stato un regista, produttore cinematografico, sceneggiatore e attore statunitense .

  6. 14 de abr. de 2011 · Fresh Air remembers director Sidney Lumet — who died Saturday at age 86 — with excerpts from a 1988 interview. One of Hollywood's most prolific directors, Lumet created more than 40 films ...

  7. 15 de ago. de 2023 · Sidney Lumet’s “The Verdict” is the best courtroom drama ever. It is also one of those rare features that doesn’t wear down with repeated viewings. That would seem odd for an entry that’s best remembered for the shock of its resolution, which should only be able to surprise the audience the first time around.

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