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  1. Best Edward Dmytryk Films – Wrapping Up. Edward Dmytryk was a talented and influential American film director who worked in Hollywood from the 1940s through the 1970s. He directed over 50 films in a variety of genres, including film noir, war films, westerns, and dramas. Here are some of his most notable and acclaimed films:

  2. A messenger boy at Paramount in the mid 1920s, Edward Dmytryk became an editor in the 1930s and began directing in 1935. By the mid '40s he had such impressive credits as The Devil Commands (1941) with Boris Karloff; the anti-fascist Hitler's Children (1943); the noirs Murder, My Sweet (1944) and Cornered (1945), starring Dick Powell; and Crossfire (1947), one of the first Hollywood films to ...

  3. Edward Dmytryk (1908 - 1999) fue un director y editor de Canadá conocido por El baile de los malditos, El hombre de las pistolas de oro, El motín del Caine, Tú y yo, Encrucijada de odios, El árbol de la vida, Lanza rota, Historia de un detective, Álvarez Kelly y La batalla de Anzio

  4. www.theguardian.com › news › 1999The Guardian

    3 de jul. de 1999 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.

  5. Edward Dmytryk (born September 4, 1908 in Grand Forks, Canada, d ied July 1, 1999) directed Hollywood movies like Tender Comrade (1943) with Ginger Rogers, Murder, My Sweet (1944) with Dick Powell from the 1940 novel Farewell, My Lovely by Raymond Chandler, Crossfire (1947) with Robert Mitchum, The Caine Mutiny (1952) with Humphrey Bogart, Broken Lance (1954) with Spencer Tracy, The End of the ...

  6. Edward Dmytryk, född 4 september 1908 i Grand Forks, British Columbia, död 1 juli 1999 i Encino, Kalifornien, var en kanadensiskfödd amerikansk filmregissör som satt i fängelset som en av de tio på Hollywoods svarta lista som vägrade svara på frågor vid utfrågningar i kongressen under McCarthy-eran.

  7. 7 de mar. de 2024 · Crossfire (Edward Dmytryk, 1947), often classified as a film noir, and one of the first Hollywood films dealing with antisemitism, didn’t start out with that theme in mind. Instead, the film was based on Richard Brooks’ 1945 novel The Brick Foxhole and Brooks, then serving in the Marine Corps, made anti-gay prejudice – and the resulting violence it engenders – the focus of his book.

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