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  1. In his time, Vincente Minnelli was known as a great fantasist. Which is true enough. But the films he made without any fantasy elements whatsoever—like The Clock or The Bad and the Beautiful—are just as hallucinatory as anything in The Pirate or Ziegfeld Follies.Everything is grounded in a complete encompassing vision.

  2. www.allocine.fr › personne › fichepersonne_gen_cpersonne=45Vincente Minnelli - AlloCiné

    Vincente Minnelli est un Réalisateur, Acteur américain. Découvrez sa biographie, le détail de ses 54 ans de carrière et toute son actualité

  3. 26 de jul. de 1986 · Vincente Minnelli, whose deft intermingling of song, dance and plot made him one of the greatest directors of Hollywood musicals, died in his sleep at his home in Los Angeles last night. He was 76 ...

  4. A comprehensive scholarly examination of Vincente Minnelli, one of American cinema's central filmmakers. Widely known for innovative films like Meet Me in St. Louis, An American in Paris, and The Band Wagon, Vincente Minnelli also directed classic film comedies like Father of the Bride and Designing Woman, and melodramas such as The Bad and the Beautiful and Some Came Running.

  5. Vincente Minnelli. Du 28 juin au 30 juillet 2023 . Il est l'un des grands noms de la comédie musicale (Le Chant du Missouri, Un Américain à Paris, Gigi), gravant dans l'imaginaire collectif les pas de deux entre Cyd Charisse et Fred Astaire (Tous en scène) ou Gene Kelly (Brigadoon).Chef d'orchestre des sentiments, des pulsions et des rêves, Minnelli signe de somptueux mélodrames (Les ...

  6. Liza Minnelli. Actress: Cabaret. Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at 14 months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft ...

  7. 29 de ene. de 2024 · « Un Américain à Paris », un film de Vincente Minnelli (1951) La perfection classique se manifeste partout dans Un Américain à Paris, dans le détail comme dans sa ligne générale.Cet achèvement de la forme dont le classicisme est le nom s'incarne évidemment dans la vitalité sensuelle et enfantine de Gene Kelly qui a de surcroît assuré la direction des chorégraphies.