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Vincente Minnelli, American motion-picture director who infused a new sophistication and vitality into filmed musicals in the 1940s and ’50s. His movies included Meet Me in St. Louis, An American in Paris, The Band Wagon, Gigi, Bells Are Ringing, and On a Clear Day You Can See Forever.
Vincente Minnelli verwendete in Bezug auf seine Filme häufig die Wörter „beauty“ (Schönheit) und „magic“ (Magie). „Minnelli glaubt mehr an Schönheit als an Kunst“, schrieb etwa der Filmkritiker Andrew Sarris. Wichtig war dem Visualisten dabei vor allem die möglichst größte Eleganz der Mise en Scène, wobei der Zuschauer vor den Filmbildern staunen sollte.
Vincente Minnelli. Oscar al miglior regista 1959. Vincente Minnelli, all'anagrafe Lester Anthony Minnelli ( Chicago, 28 febbraio 1903 – Beverly Hills, 25 luglio 1986 ), è stato un regista statunitense, inizialmente costumista e scenografo teatrale; secondo marito di Judy Garland, dalla quale ebbe la figlia Liza Minnelli .
Vincente Minnelli 1 (né Lester Anthony Minnelli le 28 février 1903 à Chicago et mort le 25 juillet 1986 à Beverly Hills) est un réalisateur et metteur en scène américain. Au cours d'une carrière de près de cinq décennies, il est surtout connu pour son innovation sophistiquée et son talent artistique dans les films musicaux.
Vincente Minnelli. Director: An American in Paris. Born Lester Anthony Minnelli in Chicago on February 28 1903, his father Vincent was a musical conductor of the Minnelli Brothers' Tent Theater. Wanting to pursue an artistic career, Minelli worked in the costume department of the Chicago Theater, then on Broadway during the depression as a set designer and costumer, adopting a Latinized ...
Vincente Minnelli, born in Chicago, was an American stage director and film director, famous for directing such classic movie musicals as Meet Me in St. Louis (1944), Gigi (1958), The Band Wagon (1953), and An American in Paris (1951). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi.
22 de abr. de 2004 · Vincente Minnelli was fond of words like “beauty” and “magic”. They crop up in interviews and in his autobiography, to the point where these words become an aesthetic principle or even a philosophy from a director otherwise notoriously incapable of being articulate about his own work: “The search in films, what you try to create, is a little magic.”
