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  1. An invitation extended to all of you. We would like to invite you to contact us and tell us about events, news, publications, concerts or any other information related to Hector Berlioz in your community, so that we can circulate them among Berlioz admirers around the world via this site.. May we take this opportunity to thank our visitors who have emailed us their contributions, comments, and ...

  2. 3 de abr. de 2014 · Louis-Hector Berlioz was born on December 11, 1803, in La Côte-St-André, Isère, France (near Grenoble). Hector Berlioz, as he was known, was entranced with music as a child. He learned to play ...

  3. Louis Hector Berlioz (La Côte-Saint-André, 1803. december 11. – Párizs, 1869. március 8.) francia romantikus zeneszerző, karmester, író, zenekritikus. Orvosi tanulmányait félbehagyva tért át a zeneszerzésre. Miután a párizsi konzervatóriumban tanulva, több ízben pályázott sikertelenül a Római Díjra, 1828-ban megrendezte első nyilvános szerzői estjét. 1830-ban, a ...

  4. 6 de mar. de 2018 · L'Orchestre philharmonique de Radio France dirigé par Myung-Whun Chung interprète la "Symphonie fantastique" d'Hector Berlioz. Enregistré le 13 septembre 201...

  5. Hector Berlioz Músico francés Hector Berlioz nació el 11 de diciembre de 1803 en La Côte-Saint-André. Hijo de un médico. Fue enviado a París para estudiar, pero en vez de matricularse en la Facultad de Medicina como quería su progenitor, lo hizo en el conservatorio.Su padre le retiró su ayuda y se vio obligado a trabajar para continuar estudiando.

  6. 10 de nov. de 2023 · Hector Berlioz (1803-1869) was the leading French composer of Romantic music, best known for his innovative Symphonie fantastique and use of large-scale orchestras and choruses in works like The Trojans opera. Berlioz's innovative style brought successes and failures in equal measure, but his lasting legacy is that he dramatically changed what was thought possible in orchestral music.

  7. Hector Berlioz - Composer, Orchestrator, Innovator: The outstanding characteristics of Berlioz’s music—its dramatic expressiveness and variety—account for the feeling of attraction or repulsion that it produces in the listener. Its variety also means that devotees of one work may dislike others, as one finds lovers of Shakespeare who detest Othello.

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