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  1. Roger Ebert, né le 18 juin 1942 à Urbana dans l’Illinois et mort le 4 avril 2013 à Chicago (Illinois), est un journaliste américain. Critique de cinéma particulièrement reconnu en Amérique, sa rubrique du Chicago Sun-Times est reprise dans 200 journaux.

  2. ロジャー・イーバート. ロジャー・ジョゼフ・イーバート (Roger Joseph Ebert、 1942年 6月18日 - 2013年 4月4日 )は、 エミー賞 にもノミネートされた アメリカ合衆国 の 映画評論家 、テレビ司会者、 作家 。. 新聞、テレビ番組、著作、講演活動や教授職、自身の ...

  3. One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered. Here are more than 300 reconsiderations and appreciations of movies from the distant past to the recent past, all of movies that I consider worthy of being called "great." - Roger Ebert

  4. 25 de jun. de 2004 · Roger Ebert June 25, 2004. Tweet. "The Notebook" is based on the best-selling novel by Nicholas Sparks and directed by Nick Cassavetes. Now streaming on: Powered by JustWatch. 'The Notebook" cuts between the same couple at two seasons in their lives. We see them in the urgency of young romance, and then we see them as old people, she ...

  5. 26 de oct. de 2011 · Roger Ebert October 26, 2011. Tweet. Justin Timberlake and Amanda Seybried. Now streaming on: Powered by JustWatch. The premise is damnably intriguing. Written and directed by Andrew Niccol, maker of such original sci-fi movies as "Gattaca" (1997) and "S1mOne" (2002), it involves once again people whose lives depend on an overarching technology.

  6. 8 de oct. de 2021 · No Time to Die. After months of delays, the 25 th official James Bond film is finally here in “No Time to Die,” an epic (163 minutes!) action film that presents 007 with one of his toughest missions: End the era that most people agree gave new life to one of the most iconic film characters of all time. Everyone knows that this is Daniel ...

  7. 20 de oct. de 2021 · The opening title calls it “Dune Part 1” and while this two-and-a-half hour movie provides a bonafide epic experience, it's not coy about connoting that there’s more to the story. Herbert’s own vision corresponds to Villeneuve’s own storytelling affinities to the extent that he apparently did not feel compelled to graft his own ideas ...

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