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29 de jun. de 2024 · Billy Eckstine in Chris Moore's tribute with parts of his Jazz Beat recording made at WQED and a studio concert by Jerry Betters and his ensemble.
28 de jun. de 2024 · “I Apologize,” a recording he made for MGM in 1948, was one of Eckstine’s most enduring hits. The tune, presented here as our Song of the Day, was inducted into the Grammy Hall of Fame in 1999.
Hace 3 días · However, many sources have claimed to have located its genesis in Gillespie’s time as a member of Benny Carter’s band in 1942. The tune later became a staple number of Billy Eckstine’s big band, which is known as the first ever bebop big band.
13 de jun. de 2024 · “I Apologize” is considered a jazz classic due to Billy Eckstine’s impeccable delivery and the song’s timeless arrangement. The combination of Eckstine’s smooth and soulful voice, accompanied by a jazz-infused orchestra, creates a mesmerizing musical experience.
26 de jun. de 2024 · Cafè Jazz. Les veus del jazz: Sarah Vaughan i Billie Eckstine canten amb l'orquestra de Count Basie. Durada: 30 min. 26/06/2024. Música que sona al programa:"Cheek to cheek" (de l'àlbum "Sing the best of Irving Berlin", 1957)Sarah Vaughan i Billy Eckstine, veus; Orquestra dirigida per Hal Mooney."Drifting blues" (de l'àlbum ...
20 de jun. de 2024 · The piano intro leads to blues-drenched solos by both the young Lee Morgan and Benny Golson, followed by a spacious and patient piano solo over Jymie Merritt’s rock-like bass and Art Blakey’s driving drums.
17 de jun. de 2024 · "Anything Goes" by Helen Merrill explores the idea of societal norms and values evolving over time, resulting in a more permissive and open-minded culture where anything is deemed acceptable. The song carries a sense of liberation and defiance towards conventions, encouraging freedom of expression and individuality.
