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  1. Hace 2 días · Rhapsody in Blue is a 1924 musical composition for solo piano and jazz band, which combines elements of classical music with jazz -influenced effects. Commissioned by bandleader Paul Whiteman and written by George Gershwin, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City.

  2. 20 de jul. de 2024 · Whiteman and his orchestra, 1921. Whiteman was born in Denver, Colorado. He came from a musical family: his father, Wilburforce James Whiteman was the supervisor of music for the Denver Public Schools, a position he held for fifty years, and his mother Elfrida (née Dallison) was a former opera singer. His father insisted that Paul learn an instrument, preferably the violin, but the young man ...

  3. 8 de jul. de 2024 · Rhapsody in Blue, musical composition by George Gershwin, known for its integration of jazz rhythms with classical music, that premiered on February 12, 1924, as part of bandleader Paul Whiteman’s “An Experiment in Modern Music” concert at New York’s Aeolian Concert Hall.

  4. Hace 6 días · The Concerto in F shows considerable development in Gershwin's compositional technique, particularly because he orchestrated the entire work himself, unlike the Rhapsody in Blue which was scored by Ferde Grofé, Paul Whiteman's section pianist and principal orchestrator.

  5. 21 de jul. de 2024 · “Rhapsody in Blue” is a 1924 musical composition by George Gershwin for solo piano and jazz band. Commissioned by bandleader Paul Whiteman, it premiered in a concert titled “An Experiment in Modern Music” on February 12, 1924, at Aeolian Hall in New York City.

  6. 22 de jul. de 2024 · Song of the Day: Paul Whiteman and His Orchestra, “Charleston”. The Charleston was the most popular dance of the Roaring Twenties. It was defined by a wild flailing of arms and legs, and exaggerated and comedic facial expressions.

  7. 5 de jul. de 2024 · Paul Whiteman (again) led the pack of six recording artists who released "What'll I Do" in 1924 with his Number One offering. It was remade it 1948 by both Nat King Cole and Frank Sinatra with their versions peaking at Numbers 22 and 23 respectively.