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12 de jun. de 2024 · Molière (baptized January 15, 1622, Paris, France—died February 17, 1673, Paris) was a French actor and playwright, the greatest of all writers of French comedy. Although the sacred and secular authorities of 17th-century France often combined against him, the genius of Molière finally emerged to win him acclaim.
Hace 1 día · Pero es que quizá sea éste el signo de los tiempos, que la vida se ha convertido en un juego superficial (como la música, como el amor) donde lo importante ya no es tener principios sino molar, no ser de verdad sino ser auténtico. En términos discográficos y como dice el texto, no ser competente sino hacer la competencia.
12 de jun. de 2024 · After the French were roundly defeated in the Franco-German War (1870–71), they looked to strengthen two cultural institutions that, they believed, were the sources of their weakness: the army and the school system. The latter was of the utmost importance, since it involved all the strata of society, present and future.
9 de jun. de 2024 · Hoy en día, los máximos galardones del teatro francés de llaman los “Molière”, premios que se entregan desde 1987. Las conmemoraciones por los 400 años del gran dramaturgo francés comenzaron el 15 de enero, día del registro de su bautizo, en 1622.
12 de jun. de 2024 · This is his invention and his glory. A main feature of Molière’s technique is a mixing of registers, or of contexts. Characters are made to play a part, then forget it, speak out of turn, overplay their role, so that those who watch this byplay constantly have the suggestion of mixed registers.
Hace 5 días · Molière was a French playwright who worked under the patronage of Louis XIV, the Sun King, during the French absolute monarchy (1622 - 1673) . Molière himself was a playwright, actor, director. He is especially known for his innovative role in comedy. He helped raise the status of comedy, which had previously been regarded as less prestigious than tragedy.
Hace 1 día · Molière, ‘influencer’. S i a la cort de París del segle XVII haguessin fet servir smartphones en comptes de cartes, el resultat seria una obra no gaire diferent de la que va imaginar Molière. Això és el que pretén la nova versió d’El misantrop, que han aixecat al Teatre Grec el director David Selvas (Tots eren fills meus) i el ...
