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Hace 3 días · "Take Me in Your Arms (Rock Me a Little While)" is a song written by the premier Motown songwriting/production team of the 1960s Holland–Dozier–Holland. The first hit recording was sung by Kim Weston in 1965. It was most popular in 1975 when it was recorded by the Doobie Brothers.
Hace 3 días · This single, released at the height of the Summer of Love and long, hot summer of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; Holland–Dozier–Holland's production of the song, influenced by the psychedelic rock sounds of bands such as the Beatles and the Beach Boys, represented the ...
3 de ago. de 2024 · The song that encapsulates this process of evolution is “Leaving Here”. Written by the great Motown trio of Holland-Dozier-Holland, it was first recorded by Eddie Holland in 1963.
Hace 1 día · G.I.T.: Get It Together was the first album to feature lead singer Michael's noticeable growth spurt, now with a slightly deeper, full-fledged tenor singing voice, as he was 14 when the album was recorded and 15 when it came out. The overall sound of the group changed as well. It was also on this album that he first employed what became known as his "vocal hiccup", notably on the song "It's ...
25 de jul. de 2024 · There’s still something distinctly majestic, even monumental, about the run of more than a dozen hits that Eddie and Brian Holland and Lamont Dozier wrote and/or produced between 1964 and 1968 for the Four Tops, whose last surviving original member, Abdul “Duke” Fakir, died this week, aged 88.
24 de jul. de 2024 · NEW YORK (AP) — Abdul “Duke” Fakir, the last surviving original member of the beloved Motown group the Four Tops that was known for such hits as “Reach Out, I’ll Be There” and “Standing in the...
Hace 1 día · For More Hits, the dozen songs are all sourced from the team as the record was produced by Brian Holland and Lamont Dozier. As representatives of Motown at its most chicly sophisticated, the group’s work could acquire a grandness of scale that sometimes registered as intended for adults instead of encapsulating The Sound of Young America, so the production moxie is worthy of note.
