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28 de jun. de 2024 · In 1962, the film critic Andrew Sarris popularized the idea of film authorship in the US: he created a nine-part schema to rank a large number of directors, thus beginning a formative debate about the films that might constitute a canon of great work.
12 de jun. de 2024 · As television personalities, Siskel and Ebert’s lexicon could never be as cool and literary as prose designed to be read, but, as Singer explains, these men saw their jobs a little differently from hipper critics like Andrew Sarris and The New Yorker’s Pauline Kael.
11 de jun. de 2024 · Andrew Sarris in the Village Voice for 24 June, 1971, on Mizoguchi's "Princess Yang Kwei-fei " Also known as "Yôkihi" (1955), followed by "Dirtymouth" D. K. Holm
Hace 6 días · 3 Andrew Sarris in his introduction to the English translation of the script of Bunuel's film Belle de Jour (Lorrimer, 1971) remarks ‘Most writers, even the most radical, treat prostitution as a symptom of a social malaise and not as a concrete manifestation of a universal impulse.
15 de jun. de 2024 · Andrew Sarris in the Village Voice for 8 July, 1971, on Altman's "McCabe and Mrs. Miller," and Nichols-Feiffer's "Carnal Knowledge" Two reasons why the '70s is a revered decade
26 de jun. de 2024 · Andrew Sarris in the Village Voice for 19 August, 1971, on Skolimowsky's "Deep End" Continuing a run of key '70s movies
Hace 2 días · Dog Day Afternoon is a 1975 American biographical crime drama film directed by Sidney Lumet and produced by Martin Bregman and Martin Elfand. The film stars Al Pacino, John Cazale, James Broderick, and Charles Durning.
