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1 de ago. de 2024 · The Essential Billie Holiday: Albumcode: Verve 314517172-2: Year: 1997: Mediumtype: # Tracks: 17: ... Billie Holiday with Tony Scott and his Orchestra: 145: 25: 1956-Aug-18: ... Paris (France), Olympia Theatre: Jimmy Rushing & Billie Holiday Concert: 179: 25: 1959-Mar-04: New York City, Metropolitan Recording Studio: Billie Holiday ...
1 de ago. de 2024 · Duke Ellington 25th Anniversary - second concert (Carnegie Hall) 1952-Dec-10: 4: LR: Harlem (New York City), Apollo Theatre, 253 West 125th Stree at 7th/8th Aves. (WMCA Broadcast ) ... Billie Holiday with Tony Scott and his Orchestra: 1955-May-06: 2: ANN/BC: New York City, Carnegie Hall: Count Basie and his Orchestra: 1955-Aug-22: 40:
Hace 5 días · On 23 April 1961, Judy Garland performed the song at the Judy at Carnegie Hall concert. Bryan Ferry recorded the song as a single with a video in 1975 reaching No. 33 in the UK charts.
Hace 5 días · 2. Latter-day Holiday, and one of her last studio albums supervised by Norman Granz, Stay With Me places her in the sympathetic company of Charlie Shavers, Tony Scott, Budd Johnson, Billy Taylor, Billy Bauer, Leonard Gaskin and Cozy Cole. Although her voice was deteriorating after years of drug and alcohol abuse, her delivery and ...
1 de ago. de 2024 · Billie Holiday Discography. home previous next. Session 1946-May-27. Date: Monday, May 27, 1946: Location: New York City, Carnegie Hall: Band: Jazz At The Philharmonic: Type: BC: Remarks: Radio Broadcast via station WNYC: Note: Jack Millar's "Fine and Mellow" states incorrect that the 1946 Carnegie Peformances were on 3 and 17 june ...
Hace 5 días · On November 10, 1956, Holiday performed two concerts before packed audiences at Carnegie Hall. Live recordings of the second Carnegie Hall concert were released on a Verve/HMV album in the UK in late 1961 called The Essential Billie Holiday.
Hace 5 días · " Sophisticated Lady " is a jazz standard, composed as an instrumental in 1932 by Duke Ellington . Background. Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception".
