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22 de jun. de 2024 · La novia de Frankenstein (1935) - James Whale. Posesión satánica (1961) - Jack Clayton. Halloween: La noche de todas las brujas (1978) - John Carpenter. El despertar del Diablo 2 (1987) - Sam Raimi. Los otros (2001) - Alejandro Amenábar. La mosca (1986) - David Cronenberg. Los pájaros (1963) - Alfred Hitchcock.
Hace 4 días · El poder de las estrellas no fue suficiente para salvar La película, sin embargo, se excedió enormemente del presupuesto debido a una serie de catástrofes, incluidos retrasos relacionados con la salud de Taylor, la renuncia del director original Rouben Mamoulian a mitad de camino y la costosa decisión de suspender la producción en Inglaterra y trasladar todo el proyecto. asunto a Italia.
Hace 4 días · While Mamoulian doesn't use the dialogue flowing into song that was so effective in Love Me Tonight, he does shoot some truly exciting action sequences. In addition to the big finale, with Sally and her people riding to save the day, there's also a brawl at a town dance between Peter and Mr. Stark (Irving Pichel), who also wants Sally's hand.
Hace 2 días · Rouben Mamoulian, born on October 8, 1897, in Tiflis (now Tbilisi), Georgia, left an indelible mark on the world of film and theater. As one of the first major directors to emerge during the transition to sound films, Mamoulian’s innovative techniques continue to influence filmmakers today.
19 de jun. de 2024 · Director Rouben Mamoulian used many of the techniques employed in his debut film Applause (1929), infusing City Streets with a visual artistry that was mostly absent from more popular gangster movies of the era.
16 de jun. de 2024 · A proud Armenian who claimed a distant link to nobility, born in what was then part of czarist Russia, Rouben Mamoulian (1897–1987) was one of the most astonishing and confounding figures in American film and theater, directing the original stage productions of Porgy and Bess, Carousel, and Oklahoma!, as well as films including ...
7 de jun. de 2024 · In 1954, Paige’s performance as Babe in The Pajama Game made her a star on Broadway, and in 1957, she delivered “three self-mocking show-stopping numbers,” as Ronald Bergan puts it in the Guardian, in Rouben Mamoulian’s Silk Stockings, a musical comedy headlined by Fred Astaire and Cyd Charisse.
