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21 de jun. de 2024 · Pablo Picasso a peint divers portraits de Dora Maar au fil des ans, et plusieurs se sont vendus pour des millions de dollars. Par exemple, Dora Maar au chat (1941), vendu pour plus de 90 millions de dollars en 2006, et Femme dans un fauteuil (1941), qui était évalué à plus de 20 millions de dollars au moment de sa vente.
25 de jun. de 2024 · "Dora Maar: Behind the Lens" is a profound homage to an artist whose contributions to surrealism and political activism have shaped modern art. The retrospective exhibition not only recognizes Maar's artistic role but also her capacity to resist personal and political adversity.
Hace 5 días · Dora Maar, “The Weeping Woman" of Picasso's famous paintings, steps out of the canvas in Louisa Treger's unforgettable new novel. Louisa Treger opens up about historical fiction, writing about overlooked female artists from history, and what’s on her desk…
16 de jun. de 2024 · Se sabe que si no se sana el pasado, se repite en el presente y a Dora le sucedió lo que a su madre. Atrapada por segunda ocasión pero ahora en una relación co-dependiente, letal, manipuladora por un artista que aprovechaba a nutrir sus numerosas pinturas con retratos de ella, como vampiro absorbiendo su brillo y personalidad ...
11 de jun. de 2024 · Exhibitions: Dora Maar, On Her Own Terms. By David Schonauer Tuesday June 11, 2024. The French surrealist photographer Dora Maar was more than just the inspiration for Pablo Picasso’s “Weeping Woman.”. She was also “a pioneer admired by the likes of Henri Cartier-Bresson and Man Ray.
17 de jun. de 2024 · Dora Maar is renowned as Pablo Picasso’s “weeping woman”, the anguished lover who inspired him to repeatedly portray her in tears. Now a London gallery is seeking to reestablish her as a pioneering surrealist artist in her own right, with an exhibition showcasing photographs recently discovered in her estate.
16 de jun. de 2024 · Dora Maar: Behind the Lens presents the surrealist works of Maar as well as photographs of Picasso and Guernica, the celebrated anti-war painting for which Maar was the only official photographer. The exhibition also revisits Maar’s erasure throughout art history.
