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The Cellar Door Sessions 1970 is a boxed live album released in 2005. It compiles six of ten sets that were performed over four December nights in 1970 at the D. C. nightclub the Cellar Door. Despite similar formatting, it is not a part of the Miles Davis Series of box sets.
The sextet on The Cellar Door‘s bandstand – Davis, saxophonist Gary Bartz, Keith Jarret (playing electric organ and electric piano), Motown bassist Michael Henderson, drummer Jack DeJohnette, and percussionist Airto Moreira – is a sheer marvel of kinetic energy.
20 de dic. de 2005 · For devotees of Miles Davis's so-called "electric period," the full release of the music recorded live in December 1970 at the Washington, DC club The Cellar Door has long been something of a holy grail.
Originally recorded at the Cellar Door in Washington DC between 16 and 19 December 1970; released unedited in 2005. MUSICOS : Trumpet – Miles Davis Soprano Saxophone, Alto Saxophone – Gary Bartz Electric Piano [Fender Rhodes], Organ [Fender Electric] – Keith Jarrett Guitar – John McLaughlin (tracks: 5-1 to 6-5) Electric Bass – Michael ...
18 de dic. de 2005 · Jack DeJohnette and Michael Henderson supply a pop/rock drum backbeat and thundering bass foundation that lets the band's front line groove all night long. With extended pieces and few breaks between numbers, the Davis band proves inexhaustible.
17 de ene. de 2006 · The box contains six of the 10 sets Davis' band played, remixed and sounding great (especially via an increased presence from Michael Henderson's bass), and extensive notes from everyone who...
Bassist Michael Henderson, a newcomer who would play with Miles until his hiatus in 1975, is rock solid, providing the foundation that Miles clearly wanted from him. At times Henderson’s steadiness is in direct opposition to the more fragmented, open-ended playing of Keith Jarrett (and, on the final disc, John McLaughlin).
