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According to Mouffe, critical artistic practices can play an important role in subverting the dominant hegemony in this so-called ‘agonistic’ model of public space, visualizing that which is repressed and destroyed by the consensus of post-political democracy.
1 de ago. de 2008 · This edition of Open examines the diverse stands currently adopted by the visual arts in the public domain, and assesses the impact of digitization and globalization on the public role of art. As such, it constitutes a sort of stock-taking or evaluation of positions regarding this broad trend.
Art as a public issue : how art and its institutions reinvent the public dimension. Responsibility. contributions by Chantal Mouffe ... [et al.]. Imprint. Rotterdam : NAi Publishers ; Amsterdam : SKOR ; New York, NY : Available in North, South and Central America through D.A.P., c2008. Physical description.
1 de ene. de 2007 · This issue of Open examines how art and its institutions are reinventing, reformulating or re-legitimizing their public dimension and involvement. A neutral position, after all, seems at the very least naïve here: both art and art institutions still manifest themselves at the sufferance of the public, the audience.
1 de ene. de 2007 · Art as a Public Issue. Art and Democracy. Art as an Agonistic Intervention in Public Space. Chantal Mouffe. January 1, 2007 essay, 3.541 words. The Belgian political philosopher Chantal Mouffe defines the public space as a battleground on which different hegemonic projects are confronted, without any possibility of final reconciliation.
6 Open 2008/No. 14/ Art as a Public Issue Chantal Mouffe Art and Democracy Art as an Agnostic Intervention in Public Space The Belgian polit-ical philosopher Chantal Mouffe defines the public space as a battleground on which different hegemonic projects are confronted, without any possi-bility of final recon-ciliation. According to Mouffe ...
1 de ago. de 2008 · This edition of Open examines the diverse stands currently adopted by the visual arts in the public domain, and assesses the impact of digitization and globalization on the public role of art. As such, it constitutes a sort of stock-taking or evaluation of positions regarding this broad trend.
