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Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.
Reginald Marsh nació en París el 14 de marzo de 1898. En 1900, sus padres, artistas norteamericanos, se trasladaron a Nutley, Nueva Jersey, y posteriormente a New Rochelle, Nueva York. Marsh estudió Bellas Artes en la Universidad de Yale, donde dibujaba ilustraciones para la revista The Yale Record.
28 de feb. de 2014 · Reginald Marsh was a traditional artist who produced thousands of drawings for newspapers and magazines before turning to realistic painting and etching. He specialized in depicting people in crowded urban scenes, such as Coney Island, New York City, and Vermont.
Reginald Marsh (1898-1954) was a Social Realist artist who captured the bustling and seedy scenes of 20th-century New York with egg tempera, oils, watercolors, and ink. Learn about his biography, artworks, murals, and auction prices on artnet.
Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.
Biography. Born in Paris, the son of American artists, Marsh came to the United States at age two. Growing up in Nutley, New Jersey, and New Rochelle, New York, he demonstrated a precocious talent for drawing. Marsh entered Yale University in 1916, where he served as art editor and cartoonist for the Yale Record.
29 de jun. de 2024 · Reginald Marsh (born March 14, 1898, Paris, France—died July 3, 1954, Bennington, Vermont, U.S.) was an American painter and printmaker noted for his realistic depictions of New York City life.
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