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  1. 19 de ago. de 2009 · Over 320,000 old tickets were used to recreate the Da Vinci masterpieces of The Mona Lisa, The Birth Of Venus, and Renoir's Dance At The Moulin De La Galette. Source Artist Phil Hansen recreated the infamous Mona Lisa — using burger grease.

  2. spolito135.wordpress.com › 2014/11/11 › pastiche-exercisesPastiche Exercises | Spolito135

    11 de nov. de 2014 · For my example of pastiche I found a picture of the Mona Lisa. I have provided the original copy of the piece of art as well as its pastiche counter-part. The pastiche style emulates the trademark look and antics of Legos.

  3. In 1978, the Colombian artist Fernando Botero painted his own pastiche of the painting, entitled Monalisa. Though Botero's version is painted in his signature 'Boterismo' style, where figures...

  4. En arquitectura se habla de pastiche principalmente cuando se llevan a cabo restauraciones espurias o poco afortunadas o alteraciones poco rigurosas del modelo original. Si bien el término pastiche es de acuñación relativamente reciente para referirnos de manera especial a intervenciones contemporáneas, encontramos pastiches realizados a lo ...

  5. 29 de mar. de 2024 · There are many examples of pastiche in art, with artists drawing inspiration from a wide range of sources. One famous example of pastiche is Marcel DuchampsL.H.O.O.Q.,” a parody of the Mona Lisa that incorporates a mustache and goatee onto the famous painting.

  6. El retrato de Lisa Gherardini, esposa de Francesco del Giocondo, [1] más conocido como La Gioconda (La Joconde en francés) o Monna Lisa, es una obra pictórica del polímata renacentista italiano Leonardo da Vinci. Fue adquirida por el rey Francisco I de Francia a comienzos del siglo XVI y desde entonces es propiedad del Estado ...

  7. 27 de sept. de 2022 · It’s seen in Rebecca’s pieceOne Line Mona’ that pastiche has been used in one of the most common ways when creating art. She has used the figure of Mona Lisa, and has recreated the Italian Renaissance masterpiece in her own style.