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In One and Three Chairs, Joseph Kosuth represents one chair three ways: as a manufactured chair, as a photograph, and as a copy of a dictionary entry for the word “chair.” The installation is thus composed of an object, an image, and words.
One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una misma reflexión desde tres persepectivas diversas: mediante el objeto (la silla), su representación o ...
One and Three Chairs, is a conceptual work by Joseph Kosuth, from 1965. An example of conceptual art, the piece consists of a chair, a photograph of the chair, and an enlarged dictionary definition of the word "chair".
This work by Joseph Kosuth consists of a wooden folding chair placed against the wall flanked by two prints: a black and white photograph of the chair, and a photostat of its dictionary definition.
One and Three Chairs is considered one of the first conceptual pieces conceived by the artist, according to a criterion that he himself described as “anti-formalist” and which, tautologically, approaches one single thought process from three separate perspectives: via the object (the chair), its representation or index (the photograph of ...
Una y tres sillas de Joseph Kosuth. En 1970, en el MoMA, el Museo of Modern Art de Nueva York, Joseph Kosuth realizó una muestra como artista con su obra Una y tres sillas, pero también actuó como comisario de “información”.
One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una misma reflexión desde tres persepectivas diversas: mediante el objeto (la silla), su representación o...
