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The movie is set in Los Angeles, and so, ofcourse, the chase centers on the freeway system."To Live and Die in L. A." is a law-enforcement movie, sort of. It's about Secret Service agents who are on the trail of acounterfeiter who has eluded the law for years, and who flaunts hissuccess. At one point, when undercover agents are negotiating a ...
2 de dic. de 2003 · To Live and Die in LA is an excellent movie, despite any minor flaws I may have noticed during my recent viewing. It stars William L. Petersen (Manhunter) as federal agent Richard Chance. He's an adrenaline junky, seemingly living for that next fix, unable or unwilling to establish any real connections with other humans other than that of his long time partner and mentor, a soon to be retiring ...
In a remarkable sequence in To Live and Die in L.A., William Friedkin shows the precision and force of the human hand forging banknotes. Yusef Sayed 22 Apr 2014. A risk-taking amoral U.S. Treasury agent seeks revenge against a sleek counterfeiter who murdered a fellow agent, going rogue in an obsessive pursuit that swiftly spirals out of control.
Now the award-winning true crime podcast returns, unraveling the baffling and tragic case that started Neil Strauss down the rabbit hole of true crime investigation, along with his wife and his neighbors, Incubus guitarist Mike Einziger, and concert violinist Ann Marie Simpson. To Live and Die in LA Season 2 is available now. www.livediela.com
20 de nov. de 2023 · REMASTERED IN HD!Official Music Video for To Live & Die In L.A. performed by Makaveli. Follow 2Pac:Official Website: https://www.2pac.com/usInstagram: https:...
By the mid-1980s, it seemed as if William Friedkin’s once-promising career was officially on the rocks. For his next project, To Live and Die in L.A. (1985), it appeared to many observers that he was blatantly retreating to the kind of cop thriller narrative that was the source of his first great success as a way of scoring an easy box office hit.
This eye-popping cop thriller, from a novel by Gerald Petievich, is somehow both gritty and glamorous, arty and trashy, enjoyable and deplorable. It's extremely rare in an American thriller to have an antihero who is so resolutely obsessive and distasteful, and who pays the ultimate price for it in the end.
