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Rouben Zachary Mamoulian (October 8, 1897 – December 4, 1987) was an Armenian-American film and theatre director. In the interview compilation book Directing the Film (Acrobat Books), Mamoulian declared a strong preference for a stylized look to his scenes, stating that he was more interested in creating a poetic look to his films than in showing ordinary realism.
Rouben Mamoulian (1897 - 1987) fue un director de Rusia conocido por La reina Cristina de Suecia, El hombre y el monstruo, El signo del Zorro, Las calles de la ciudad, Sangre y arena, La bella de Moscú, Ámame esta noche, Sueño dorado, El cantar de los cantares y Aplauso. España.
First on Stull’s list, however, was a filmmaker whose work has largely receded from view: Rouben Mamoulian. 1 Close Far from an idiosyncratic choice, Stull’s selection of Mamoulian as one of the world’s premier directors was consistent with how Mamoulian was regarded across the industry and among critics, particularly from his debut film— Applause (1929)—through his 1941 feature ...
Rouben Mamoulian (Armenian: Ռուբեն Մամուլյան) (October 8, 1897 – December 4, 1987) was an Armenian-American movie and theatre director. Born in Tbilisi, Georgia (ruled at that time by imperial Russia) to an Armenian family, Rouben relocated to England and started directing plays in London in 1922.
Rouben Mamoulian /. Director. en. La reina Cristina de Suecia (1933) El signo del Zorro (1940) El hombre y el monstruo (1931) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones ...
Rouben Mamoulian Rouben Zachary Mamoulian Cineasta estadounidense Nació el 8 de octubre de 1898 en Tiflis, Georgia. Se crió en París, Francia, ciudad que abandonó para realizar estudios en Moscú. Después dirigió una compañía en Tiflis y aplicó los principios de Stanislavski.
16 de abr. de 2022 · Born in Tbilisi, Georgia in 1897, Rouben Mamoulian came to America in 1923 seeking a suitable outlet for his nascent aesthetic vision. Following in the footsteps of his mother, a director for the Armenian stage, Mamoulian had trained at the Moscow Stage Theater where naturalism was de rigeur, a style that the young director did not appreciate.
