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Rouben Zachary Mamoulian, nado en Tbilisi (actual Xeorxia) o 8 de outubro de 1897 e finado en Hollywood o 4 de decembro de 1987 foi un director de cinema e teatro armenio-estadounidense. Traxectoria. Naceu en Tbilisi, nunha familia armenia. A súa nai, Virginia ...
Rouben Mamoulian /. Director. en. La reina Cristina de Suecia (1933) El signo del Zorro (1940) El hombre y el monstruo (1931) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones ...
Rouben Zachary Mamoulian (October 8, 1897 – December 4, 1987) was an Armenian-American film and theatre director. In the interview compilation book Directing the Film (Acrobat Books), Mamoulian declared a strong preference for a stylized look to his scenes, stating that he was more interested in creating a poetic look to his films than in showing ordinary realism.
First on Stull’s list, however, was a filmmaker whose work has largely receded from view: Rouben Mamoulian. 1 Close Far from an idiosyncratic choice, Stull’s selection of Mamoulian as one of the world’s premier directors was consistent with how Mamoulian was regarded across the industry and among critics, particularly from his debut film— Applause (1929)—through his 1941 feature ...
Rouben Mamoulian (Armenian: Ռուբեն Մամուլյան) (October 8, 1897 – December 4, 1987) was an Armenian-American movie and theatre director. Born in Tbilisi, Georgia (ruled at that time by imperial Russia) to an Armenian family, Rouben relocated to England and started directing plays in London in 1922.
Rouben Mamoulian Rouben Zachary Mamoulian Cineasta estadounidense Nació el 8 de octubre de 1898 en Tiflis, Georgia. Se crió en París, Francia, ciudad que abandonó para realizar estudios en Moscú. Después dirigió una compañía en Tiflis y aplicó los principios de Stanislavski.
17 de feb. de 2024 · Rouben Mamoulian's Applause (October 1929) has been widely heralded as a landmark in the development of synchronized sound film practices. Sonically, scholars have pointed to its daring work in such areas as twotrack recording, audio density, off-screen sound, and sonic expressivity.
