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On 15 May 1660 the Convention Parliament ordered that justice be meted out on the regicides Oliver Cromwell, Henry Ireton, John Bradshaw and Thomas Pride. For a Parliament that had welcomed monarchy back to England there was nothing surprising about initiating revenge against those who had committed the act that had led to eleven years of republican rule.
A careful exploration of Henry Ireton’s role in the initial and subsequent campaigns in Ireland with a close look at the political relationship between Cromwell and Ireton. Keywords: Henry Ireton, Cromwell, New Model Army, Ormond ...
27 de jun. de 2024 · A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content. Type. Chapter. Information. Henry Ireton and the English Revolution , pp. v. Publisher: Boydell & Brewer. Print publication year: 2006.
12 de sept. de 2012 · The Remonstrance, drafted principally by Ireton in November 1648, marked the political conclusion of articulating Charles' guilt and equating him with those royalists who had already been executed.It is likely that Ireton believed Charles should die. Enacting this was, however, rather different. Ireton believed that justification for the regicide existed but he had concerns about the ...
Henry Ireton (1611-1651), Parliamentary general. Sitter associated with 17 portraits A leading Parliamentarian and an austere Puritan, Ireton was one of Cromwell's ablest supporters, noted for his powers of leadership and for his political integrity. He married Bridget, Cromwell's daughter, in 1646.Noted for his strong leadership and political integrity, he strove to formulate an acceptable ...
Ireton, the son of one of Cromwell’s generals, was also a grandchild of the Lord Protector himself. Though his father, a regicide, had died in 1651, the family estates were nevertheless confiscated after the Restoration and vested in the Duke of York. Nothing is known of Ireton’s career until 19 Jan. 1684 when he was accused of complicity ...
Henry Ireton. copy attributed to Robert Walker, after Samuel Cooper, and Sir Anthony van Dyck. oil on canvas, circa 1650. 49 in. x 39 1/2 in. (1245 mm x 1003 mm) Purchased, 1945. Primary Collection. NPG 3301. On display in Room 6 on Floor 3 at the National Portrait Gallery.
