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Joseph Fernand Henri Léger (French: [leʒe]; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.
Fernand Léger (născut, Jules Fernand Henri Léger) (n.4 februarie 1881, Argentan, Normandia – d. 17 august 1955, Gif-sur-Yvette) a fost un pictor, grafician și artist decorator francez.A fost printre primii pictori francezi care au expus public lucrări de orientare cubistă și constructivistă, deși el însuși nu este considerat ca aparținând mișcărilor respective.
Fernand Léger. Jules-Fernand-Henri Léger ( Argentan, Orne, 4 de fevereiro de 1881 — Gif-sur-Yvette, 17 de agosto de 1955) foi um pintor francês que se distinguiu como pintor e desenhador cubista, autor de muitas litografias. [ 1]
Fernand Léger (foto di Carl Van Vechten, 1936) Joseph Fernand Henri Léger ( Argentan, 4 febbraio 1881 – Gif-sur-Yvette, 17 agosto 1955) è stato un pittore francese, nonché creatore di cartoni di arazzi e di vetrate, decoratore, ceramista, scultore, disegnatore, illustratore, costumista, scenografo .
Feb 4, 1881 - Aug 17, 1955. Joseph Fernand Henri Léger was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.
Fernand Léger. Fernand Léger. Zdjęcie wykonane przez Carla Van Vechtena w 1936 roku. Joseph Fernand Henri Léger (ur. 4 lutego 1881 w Argentan, zm. 17 sierpnia 1955 w Gif-sur-Yvette) – francuski malarz związany z kubizmem, grafik, rzeźbiarz, artysta ceramik i reżyser filmowy.
Fernand Léger a toujours été attiré par la peinture murale qui renvoie à l’art éternel des fresques et à l’architecture. Les compositions de très grands formats qu’il commence à réaliser au milieu des années 30 sont un pas vers cet idéal, que l’exigence de formats standard de ses marchands avait jusqu’alors réfréné.
