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Rembrandt, celým jménem Rembrandt Harmenszoon van Rijn [Haarmenszón fan Rejn] (15. července 1606 Leiden – 4. října 1669 Amsterdam), byl nizozemský malíř, kreslíř, grafik a rytec.Je považován za jednoho z nejlepších malířů a grafiků západního umění. Doba jeho tvorby spadá do tzv. nizozemského zlatého věku, (nizozemsky Gouden Eeuw), období rozkvětu nizozemské ...
Rembrandt Harmenszoon van Rijn (15. heinäkuuta 1606 Leiden – 4. lokakuuta 1669 Amsterdam) oli hollantilainen taidemaalari.Hänen maalaustyylilleen on tyypillistä chiaroscuron käyttö eli valojen ja varjojen vivahteikas vaihtelu. Rembrandt tunnetaan erityisesti aikalaismuotokuvistaan, omakuvistaan ja raamattuaiheisista maalauksistaan. Hän oli Alankomaiden merkittävin taidemaalari 1600 ...
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th ...
Rembrandt Harmenszoon van Rijn, to give him his full name, was born on 15 July 1606 in the Dutch city of Leiden. He was the ninth child in a family of millers, and destined to follow in his father’s footsteps. Milling was a multi-million guilder industry in this period, and a highly profitable occupation.
Rembrandt Harmenszoon van Rijn (n. 15 iulie 1606, Leiden, Comitatul Olanda, Provinciile Unite – d. 4 octombrie 1669, Amsterdam, Comitatul Olanda, Provinciile Unite) a fost un pictor și gravor neerlandez din secolul al XVII-lea, considerat unul din cei mai mari pictori din istoria artei, celebru și pentru desenele și gravurile sale.. A trăit în perioada denumită "epoca de aur olandeză ...
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally ...
Rembrandt or pupil. The painting is covered by a layer of yellowed varnish. The Prophetess Anna in the Temple. 1650 or c. 1646. Oil on panel. 40.5 x 31.5. National Gallery of Scotland, Edinburgh. 210. The painting is covered by a layer of yellowed varnish.
