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The Last House on the Left (2009) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows.
Page 1 of 6, 11 total items. Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped ...
La última casa a la izquierda es una película dirigida por Dennis Iliadis con Tony Goldwyn, Monica Potter, Garret Dillahunt, Sara Paxton .... Año: 2009. Título original: The Last House on the Left. Sinopsis: Remake de la película "La última casa a la izquierda", dirigida por Wes Craven en 1972. Mari Collingwood llega con sus padres a la casa que tienen junto al lago para pasar unos días.
The gang watches in amusement. Krug shoots at Mari with a small pistol, and her body falls into the lake, then floats on the water. Seemingly shocked by the death of their last hostage, the gang of four wash up and change out of their bloody clothes. They show up at the nearest house, the Collingwood's home, masquerading as traveling salesmen.
The Last House on the Left. 2009 · 1 hr 50 min. R. Horror · Thriller. After their daughter is raped and left for dead, a couple exact bloody revenge on the attackers who have unknowingly taken shelter at their home. Subtitles: English. Starring: Tony Goldwyn Monica Potter Sara Paxton Aaron Paul Martha MacIsaac Spencer Treat Clark. Directed by ...
11 de mar. de 2009 · I have seen four films inspired by the same 13th century folk ballad: Ingmar Bergman's "The Virgin Spring" (1960), Wes Craven's "The Last House on the Left" (1972), David DeFalco's "Chaos" (2005) and now Dennis Iliadis' remake of the 1972 film, also titled "The Last House on the Left."What I know for sure is that the Bergman film is the best.
What does come through in "Last House on the Left" is a powerful narrative, told so directly and strongly that the audience (mostly in the mood for just another good old exploitation film) was rocked back on its psychic heels.Wes Craven's direction never lets us out from under almost unbearable dramatic tension (except in some silly scenes involving a couple of dumb cops, who overact and ...
