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About Buddenbrooks. A classic of modern literature: Buddenbrooks is the story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. With an introduction by T. J. Reed, and translated by John E. Woods. As Mann charts the Buddenbrooks’ decline from prosperity to ...
25 de dic. de 2008 · Mid-19th-century, Baltic Sea port city of Lubeck, Germany. Follows the fourth generation of the Buddenbrook mercantile family as Tony and Thomas reach the age of marriage. Fatefully impeded every step of the way, the Buddenbrooks struggle as economic hardship and personal defeats weigh down family relations. Heinrich Breloer. Director, Screenplay.
Furst, Lilian. “Re-Reading Buddenbrooks.”German Life and Letters 44, no. 4 (July, 1991): 317-329. Emphasizes the place of aesthetic, rather than traditional sociohistorical, readings of the novel.
Buddenbrooks wordt wel gezien als een overgangsroman van het 19e-eeuwse naturalisme naar het 20e-eeuwse symbolisme. Uiteindelijk staat het verval van de Buddenbrooks symbool voor het verval van Duitsland. Invloeden zijn herkenbaar van Richard Wagner (gebruik van ‘ leitmotieven ’) en Arthur Schopenhauer: in de zin van diens cultuurpessimisme ...
In the Buddenbrooks the finances and identity of the firm and family are inseparably intertwined. The family’s expenses are expenses for the firm. And profits from the firm accumulated as capital provide the income and living style of the family. The new Buddenbrooks house, the family symbol with which the novel begins, is a monument to itself.
Summary. In the year 1875, the Buddenbrook family is flourishing. Johann maintains intact the business and wealth he has inherited from his father, and the Buddenbrook name is held in high esteem ...
Buddenbrooks deals with 4 generations of Buddenbrooks. The movie lops off the first, so there is no one who still speaks some French as the residual lingua franca of all Europe, no one to say the word "curious," as his last, as he turns his face to the wall to die, summarizing the attitude, if not the adjective, of the century, the 18th, in which he was born.
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