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17 de nov. de 2015 · William Cameron Menzies: The Shape of Films to Come. James Curtis. Knopf Doubleday Publishing Group, Nov 17, 2015 - Biography & Autobiography - 432 pages. He was the consummate designer of film architecture on a grand scale, influenced by German expressionism and the work of the great European directors. He was known for his visual flair and ...
Things to Come. Things to Come (en España, La vida futura; en Hispanoamérica, Lo que vendrá) es una película de 1936 dirigida por William Cameron Menzies, con guion de H. G. Wells y basada en la novela Esquema de los tiempos futuros, escrita por el mismo Wells. 1 .
30 de nov. de 2015 · He also often constructed his set visualizations in miniature so as to attain the same quality of illustration on-screen as they had on paper. Menzies first came on the Hollywood scene with the ...
3 de nov. de 2015 · William Cameron Menzies was a Hollywood pioneer who developed the role of Art Director and invented the role of Production Designer. Beginning his career in the silent era and working consistently until the mid-50’s he developed the process of ‘story boards’ and film architecture, still used in the production of movies today.
Menzies, William Cameron 1896-1957 Contents Introduction -- Atlanta burning -- An artist of the modern school -- The thief of ... Academy Award-winning work on Gone With the Wind (which he effectively co-directed). It was Menzies--winner of the first-ever Academy Award for Art Direction, and who was as well a director (fourteen pictures) and ...
William Cameron Menzies was educated at Yale University, the University of Edinburgh and at the Art Students League in New York. He entered the film industry in 1919, after serving with the U.S. Expeditionary Forces in World War I. His initial assignments were in film design and special effects, as assistant to Anton Grot at Famous Players-Lasky.
23 de nov. de 2010 · These notes accompany screenings of William Cameron Menzies’s </i>Things to Come on November 24 and 26 in Theater 3.</p> . I can’t deny that there may be a slight “guilty pleasures” element in my choice of Things to Come as part of this series. William Cameron Menzies (1896–1957), however, was a towering figure in the history of film, if not as a director, then as an art director.
