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  1. Eugene Gladstone O'Neill (født 16. oktober 1888 i New York, død 27. november 1953 i Boston) var en amerikansk dramatiker og vinner av nobelprisen i litteratur i 1936.. Med sine skuespill, som han utstyrte med poetiske titler, var han blant de første amerikanske dramatikerne som skrev i en realistisk tradisjon som tidligere ble forbundet med den russiske dramatikeren Anton Tsjekhov, den ...

  2. Eugene Gladstone O'Neill (16. října 1888 New York – 27. listopadu 1953 Boston) byl americký dramatik, čtyřnásobný nositel Pulitzerovy ceny a nositel Nobelovy ceny za literaturu za rok 1936. Patří mezi nejuváděnější dramatiky všech dob.

  3. 8 de jun. de 2024 · Eugene O’Neill - Pulitzer Prize, American Playwright, Nobel Laureate: O’Neill’s capacity for and commitment to work were staggering. Between 1920 and 1943 he completed 20 long plays—several of them double and triple length—and a number of shorter ones. He wrote and rewrote many of his manuscripts half a dozen times before he was satisfied, and he filled shelves of notebooks with ...

  4. American playwright Eugene Gladstone O'Neill authored Mourning Becomes Electra in 1931 among his works; he won the Nobel Prize of 1936 for literature, and people awarded him his fourth Pulitzer Prize for Long Day's Journey into Night, produced in 1956. He won his Nobel Prize "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy."

  5. Eugene O'Neill drew on the tragic events of his dysfunctional family's life to produce some of the most powerful dramas of the American theater. O'Neill's difficulties began almost from the time ...

  6. Eugene O’Neill was born in New York, the son of Irish immigrants. During his first seven years, the family accompanied the father, who was an actor, on tour. Then O’Neill was sent to a Catholic boarding school. The father was an alcoholic and his mother abused morphine, which she received as a painkiller when her son was born.

  7. Mr. O’Neill in a letter to me said regarding his speech, «It is no mere artful gesture to please a Swedish audience. It is a plain statement of fact and my exact feeling, and I am glad of this opportunity to get it said and on record.» It affords me great pleasure to read now the speech addressed to this gathering by Mr. Eugene O’Neill.

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