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19 de feb. de 2024 · Released: 2015. Image via Lionsgate. "Daddy had a party." Knock Knock is a psychological thriller starring Keanu Reeves, Ana de Armas, and Roth's ex-wife Lorenza Izzo. The story centers on Evan ...
7 de ago. de 2009 · Eli Roth: Interview with a Basterd. The director of Cabin Fever and Hostel (parts I and II). Sergeant Donny Donowitz, aka the Bear Jew — "and not because he has more chest hair than Robin ...
9 de ene. de 2020 · Eli Roth breaking down the Margheriti scene with Christoph Waltz, Brad Pitt, Diane Kruger, & Omar Doom.Take a cinematic journey through the career of Quentin...
Actually I don’t think so. OP linked an article in another comment where Eli Roth says And someone else pointed out that it’s “down to the yellow leaf that mimics the Star of David on that soldier.” And Quentin kept that, and he kept it for a reason. Edit: Here’s the article. Honestly, I thought the same thing until I read the article.
14 de ago. de 2019 · JTA: I was 17 in 2009, and “Inglourious Basterds” was an event for teenagers — especially Jewish ones who were kind of estranged from their Jewish identities.The movie elevated its Jewish characters to badass, near-superhero heights in popular culture. I laughed at and revered the “Bear Jew” character, who mashes Nazis’ heads to a pulp with a baseball bat.
Eli Raphael Roth (born April 18, 1972) is an American film director, screenwriter, producer, and actor. As a director and producer, he is most closely associated with the horror genre, namely splatter films, having directed the films Cabin Fever (2002) and Hostel (2005). Roth continued to work in the horror genre, directing the films Hostel: Part II (2007) and The Green Inferno (2013). He also ...
Eli Raphael Roth (born April 18, 1972 in Newton, Massachusetts) is an American film director, producer, writer and actor. A proud member of a group of horror directors known as the Splat Pack, Roth is known for his financially successful Splatter Horror films, sparking the latest trend of R-rated horror films during a time when PG-13 films were considered more lucrative.
