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  1. Blake Edwards (Tulsa, Oklahoma, Estats Units, 26 de juliol de 1922 - Santa Monica, 15 de desembre de 2010) fou un director de cinema, guionista i productor estatunidenc. Biografia. Fill de Patricia Walker i de Jack McEdwards, assistent de direcció, que al seu torn era fill del director J. Gordon Edwards. La ...

  2. Edwards' first film role was an uncredited bit part in Ten Gentlemen from West Point in 1942, with George Montgomery and Maureen O'Hara. In Marshal of Reno, Edwards acted alongside Gabby Hayes and 11-year-old Robert Blake, but the closest Edwards came to a starring role was in 1946, with Strangler of the Swamp.

  3. Edwards' career began in the 1940s as an actor, but he soon turned to writing radio scripts at Columbia Pictures. He would later begin to write or direct movie such as; Experiment in Terror, The Great Race, and the hugely successful The Pink Panther movie series with the British comedian Peter Sellers. Often thought of as primarily a director ...

  4. 16 de dic. de 2010 · Blake Edwards, the prolific writer-helmer behind the enduring "Pink Panther" series as well as such notable pics as "Days of Wine and Roses," "Breakfast at Tiffany's," "10," "S.O.B." and "Victor ...

  5. Réalisateur, scénariste, acteur et producteur américain, Blake Edwards débute comme acteur dans les années 40. Toutefois, il trouve surtout sa voie dans l’écriture de scénarios, essentiellement pour le réalisateur Richard Quine.

  6. Blake Edwards (26. července 1922 Tulsa, Oklahoma – 15. prosince 2010 Santa Monica, Kalifornie), rodným jménem William Blake Crump, byl americký herec, scenárista, režisér a producent, manžel herečky a zpěvačky Julie Andrewsové a nevlastní vnuk režiséra J. Gordona Edwardse.. Pocházel z umělecké rodiny, jeho otec byl divadelní režisér, nevlastní děd pak režisér z ...

  7. www.screeningthepast.com › issue-30-tribute-to-blake-edwards › on-blake-edwardsOn Blake Edwards - Screening the Past

    Blake Edwards, the most important comic stylist (along with Richard Lester) of the 1960s, and without peer today, parlayed deadpan farce and intricate gag construction into a profound comic metaphysic devoted to whatever possibilities remain for wit and romance in the postwar age.