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  1. Cartel de la película. Ninotchka es una película estadounidense del género de comedia producida y dirigida por Ernst Lubitsch para la Metro-Goldwyn-Mayer, con Greta Garbo y Melvyn Douglas como actores principales y estrenada en 1939. Tuvo cuatro candidaturas a los Oscar: mejor película, mejor actriz principal, mejor guion y mejor argumento.

  2. Carmen is a 1918 German silent drama film directed by Ernst Lubitsch and starring Pola Negri, Harry Liedtke, and Leopold von Ledebur. It was based on the novella Carmen by Prosper Mérimée. Like Bizet's opera Carmen, this film only adapts the third part of Mérimée's novella and transforms the character of Don José at the beginning of the ...

  3. 24 de jul. de 2018 · If you’re a lover of rom-coms, you’ll want to know the work of early Hollywood director Ernst Lubitsch.Though Lubitsch is no longer a widely recognized name the way, say, Charlie Chaplin may ...

  4. Ernst Lubitsch. A delicate hand, effervescent humor, and an economy with words and images define this German director, who became a legendary figure in Hollywood comedy. 8 Results. Directed by.

  5. TÍTULO ORIGINAL To Be or Not to Be AÑO 1942 DURACIÓN: 99 min. PAÍS: EEUU DIRECTOR Ernst Lubitsch GUIÓN Edwin Justus Mayer MÚSICA Werner R. Heymann FOTOGRAFÍA Rudolph Maté (B&W) REPARTO Carole Lombard, Jack Benny, Robert Stack, Stanley Ridges, Felix Bressart, Lionel Atwill, ...

  6. Ernst Lubitsch, (born Jan. 29, 1892, Berlin, Ger.—died Nov. 30, 1947, Hollywood, Calif., U.S.), German-U.S. film director.He acted with Max Reinhardt’s German stage company (1911–14) and in short film comedies, then turned to directing costume dramas that were the first German films shown abroad, including Passion (1919), Deception (1920), and The Loves of Pharaoh (1921), as well as ...

  7. Therein resides the actuality of Lubitsch: while, of course, rejecting with disgust populist neo-racism, he would have immediately perceived also the falsity of its opponent, the politically-correct moralism, clearly seeing their hidden complicity. Lubitsch would have been appalled to notice how the perverse pleasures of obscenities, irony even ...