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Samuel Fuller wasn't the type of director to beat around the bush, and his economic narrative style is highly evident in Pickup on South Street (1953), one of the all-time great film noir pictures. A brutal examination of losers on the outer edges of society, the story revolves around the Communist underworld.
Released Jun 17, 1953 1h 20m Mystery & Thriller. List. 93% Tomatometer 40 Reviews. 89% Audience Score 2,500+ Ratings. In New York City, an insolent pickpocket, Skip McCoy (Richard Widmark ...
The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway. — alfiehitchie. In New York, the pickpocket Skip McCoy steals a wallet from the purse of a woman named Candy in the subway. His action is witnessed by FBI Agent Zara but Skip escapes ...
PICKUP ON SOUTH STREET. Directed by. Samuel Fuller. United States, 1953. Film noir, Crime, Mystery. 80. Synopsis. In Sam Fuller’s hardboiled classic, a petty crook and an unsuspecting woman find themselves on the run from Communists in a precarious gambit. Synopsis.
25 de may. de 2015 · May 25, 2015. Samuel Fuller’s Pickup on South Street opens with a striking omission of dialogue and score, heightening our awareness of the film’s pared-down compositions and its diamond-hard editing rhythms. On a New York City subway train, a beautiful woman, Candy (Jean Peters), is scrutinized by two men who are obviously tailing her.
In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and ...
The grace and delicacy with which Samuel Fuller portrays marginalized people is one of his greatest strengths as a director, and it's something which has never been more apparent than it is in Pickup on South Street, a film he also wrote.Never either condemning or simplistically celebrating his people on the margins — usually criminals, but also sometimes those pushed aside by society; often ...
