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  1. 9 de jul. de 2021 · In Mr. Arkadin, it’s something far more important: How elusive billionaire Gregory Arkadin first acquired his fortune. In both films, the title character is played by a heavily made-up Welles. In Kane, the subject is dead when the investigation begins. In Mr. Arkadin, he’s very much alive, but claims he can’t remember anything prior to 1927.

  2. Discovering the past can be murder...Claiming that he doesn’t know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arka...

  3. MR. ARKADIN Confidential Report. Directed by. Orson Welles. France, Spain, 1955. ... is told by a dying man about the mysterious past of Gregory Arkadin, an elusive billionaire. When Guy meets Arkadin he is hired by him to investigate Arkadin’s own past, leading to a dizzying descent into a Cold War European landscape.

  4. 17 de abr. de 2006 · The Complete “Mr. Arkadin” is an attempt to collect and present the various versions of the film in as understandable a format as possible, including the Corinth, Confidential Report, and a newly created “comprehensive version,” which pieces together elements from all the others. The Corinth print was not discovered until 1960, when ...

  5. Pour plus de détails, voir Fiche technique et Distribution . modifier Dossier secret (titre original: Mr. Arkadin) est un film franco - hispano - suisse réalisé par Orson Welles , sorti en 1955 . Synopsis [modifier | modifier le code] Richissime marchand d'armes, Gregory Arkadin (Orson Welles) prétend être devenu amnésique et engage un aventurier sans scrupules, Guy van Stratten (Robert ...

  6. An elusive billionaire hires an American smuggler to investigate his past, leading to a dizzying descent into a cold-war European landscape. From the lips of a dying man at a dimly-lit Italian dock, Guy Van Stratten, the disreputable American fortune hunter, receives invaluable information about the powerful financial titan, Gregory Arkadin.

  7. 5 de nov. de 2000 · Mr. Arkadin. – A Maze of Death. When he was young, Orson Welles already played grown-ups. He shouted excerpts of Shakespeare’s plays in front of bewildered people, anticipating both his trilogy of works inspired by the bard’s oeuvre ( Macbeth [1948], Othello [1952] and Chimes at Midnight [1966]) and his own ferocity as an actor/filmmaker.

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