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The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made is a 2013 non-fiction book written by Greg Sestero and Tom Bissell. Sestero details the troubled development and production of the 2003 cult film The Room , his own struggles as a young actor, and his relationship with The Room director Tommy Wiseau .
2 de nov. de 2017 · SUBSCRIBE: http://bit.ly/A24subscribeBased on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau's cult-classic disasterpiece The Room (“T...
The Disaster Artist è un film del 2017 diretto ed interpretato da James Franco. Tratto dall'omonimo libro di Greg Sestero e Tom Bissell , il film racconta della travagliata amicizia tra Sestero e Tommy Wiseau , artefice del film di culto The Room (2003), considerato uno tra i peggiori mai realizzati, tanto da essere definito "il Quarto potere dei film brutti".
The Disaster Artist, ou L'Artiste du désastre au Québec, est une comédie dramatique biographique coproduite et réalisée par James Franco, sortie en 2017. Il s'agit de l'adaptation du livre éponyme de l'acteur et producteur Greg Sestero qui racontait la création et le tournage du film The Room de Tommy Wiseau, ...
The Disaster Artist ist eine US-amerikanische Filmkomödie mit tragischen Elementen von James Franco, die auf einem gleichnamigen Buch von Greg Sestero und Tom Bissell basiert. Es handelt sich bei dem Buch um die Schilderung der Entstehungsgeschichte zum Film The Room von Tommy Wiseau aus dem Jahr 2003.
SUBSCRIBE: http://bit.ly/A24subscribeBased on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau's cult-classic disasterpiece The Room (“T...
With The Disaster Artist, James Franco transforms the tragicomic true-story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau—an artist whose passion was as sincere as his methods were questionable—into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds.Based on Greg Sestero’s best-selling tell-all about the making of Tommy's ...
