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Vincente Minnelli, pseudônimo de Lester Anthony Minelli, (Chicago, 28 de fevereiro de 1903 — Beverly Hills, 25 de julho de 1986) foi um cineasta norte-americano e considerado um dos criadores do moderno musical. Biografia. Era o filho mais novo ...
Vincente Minnelli. Director: An American in Paris. Born Lester Anthony Minnelli in Chicago on February 28 1903, his father Vincent was a musical conductor of the Minnelli Brothers' Tent Theater. Wanting to pursue an artistic career, Minelli worked in the costume department of the Chicago Theater, then on Broadway during the depression as a set designer and costumer, adopting a Latinized ...
Vincente Minnelli (1903 - 1986) fue un director y personaje de conocido por Cautivos del mal, Un americano en París, Gigi, El loco del pelo rojo, Brigadoon, El padre de la novia, Melodías de Broadway 1955, Con él llegó el escándalo, Los cuatro jinetes del apocalipsis y Mi desconfiada esposa
Vincente Minnelli Director estadounidense Vincente Minnelli nació el 28 de febrero de 1910 en Chicago, Illinois (Estados Unidos), en el seno de una familia de actores ambulantes. Siendo un adolescente, trabaja como vendedor callejero y se apasiona por la pintura. En el teatro, será fotógrafo, decorador y realizador hasta 1940.
Vincente Minnelli, born in Chicago, was an American stage director and film director, famous for directing such classic movie musicals as Meet Me in St. Louis (1944), Gigi (1958), The Band Wagon (1953), and An American in Paris (1951). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi.
Vincente Minnelli (lata 50.) Vincente Minnelli (właśc. Lester Anthony Minnelli; ur. 28 lutego 1903 w Chicago, zm. 25 lipca 1986 w Beverly Hills) – amerykański reżyser filmowy i teatralny. Laureat Oscara dla najlepszego reżysera za film Gigi (1958). Ojciec Lizy, aktorki i piosenkarki.
22 de abr. de 2004 · Vincente Minnelli was fond of words like “beauty” and “magic”. They crop up in interviews and in his autobiography, to the point where these words become an aesthetic principle or even a philosophy from a director otherwise notoriously incapable of being articulate about his own work: “The search in films, what you try to create, is a little magic.”
