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Richard Quine, né le 12 novembre 1920 à Détroit et mort le 10 juin 1989 à Los Angeles, est un acteur et réalisateur américain. Carrière. Il commence sa carrière d'acteur à 11 ans sur Broadway et apparaît dans le film de John Ford, Le Monde en marche en 1934. En 1941, il joue le ...
Bereits als Kind war Richard Quine schauspielerisch im Radio sowie in Vaudeville-Produktionen und Theaterstücken tätig.Mit Anfang 20 unterschrieb er einen Studiovertrag bei Metro-Goldwyn-Mayer und spielte dort schnell gute Nebenrollen. Quine diente im Zweiten Weltkrieg bei der US Coast Guard.Nach seiner Rückkehr aus dem Krieg entwickelte sich seine Schauspielkarriere eher enttäuschend und ...
6 de jun. de 2024 · Richard Quine (born November 12, 1920, Detroit, Michigan, U.S.—died June 10, 1989, Los Angeles, California) was an American television and film director who was perhaps best known for his comedic movies from the 1950s and ’60s.. The son of an actor, Quine began performing on the vaudeville stage as a child. He worked his way up from radio to films, taking his first screen role in Mervyn ...
Richard Quine (November 12, 1920 – June 10, 1989) was an American stage, film, and radio actor and film director. Quine was born in Detroit. He made his Broadway debut in the Jerome Kern/Oscar Hammerstein II musical Very Warm for May in 1939 and appeared in My Sister Eileen the following year. His screen acting credits include The World Moves On (1934), Jane Eyre (1934), Babes on Broadway ...
13 de jun. de 1989 · Film director Richard Quine, whose string of comedy hits included "My Sister Eileen," "Solid Gold Cadillac" and "Bell, Book and Candle," has died of a self-inflicted gunshot wound, Los Angeles ...
14 de jun. de 1989 · Richard Quine, a film actor who went on to become a successful director, died of a gunshot wound on Saturday at the University of California at Los Angeles Medical Center. The police said the ...
Richard Quine. [Joe Baltake on Richard Quine]: Richard Quine never settled. Even as a house director at Columbia, where he was largely assigned work during the 1950s and '60s, he summoned an uneasy, idiosyncratic personal touch that made him a closet auteur.
