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  1. revistasincericidio.com › 2024/06/28 › mr-mrs-smith-la-originalMr. & Mrs. Smith

    Hace 1 día · Sin embargo, RKO decidió perseguir al Maestro del Suspenso porque Carole Lombard, la estrella del estudio insistió en que su amigo dirigiera la película. Debido a su aprecio por Lombard, quien se unió a la lista de rubias famosas de Hitchcock, él aceptó dirigir la comedia con pocos cambios en el guion original, con la esperanza de asegurar proyectos más acordes a sus sensibilidades en ...

  2. Hace 11 horas · La comparaban con Goldie Hawn, Irene Dunne, Carole Lombard y Shirley McLaine “en su capacidad para combinar comedia y desdicha”. El director de Criadas y señoras, Tate Taylor, ...

  3. Hace 2 días · Perhaps coincidentally, American playwright Norman Krasna used a similar situation soon afterwards in his screenplay for a screwball comedy … about a New York couple. It was this screenplay that RKO bought for Carole Lombard, and which was later filmed by Hitchcock as Mr. and Mrs. Smith.” —Ken Mogg (The Alfred Hitchcock Story, 1999)

  4. Hace 1 día · Also right are radiant Carole Lombard and easygoing Robert Montgomery as the stars of this breezy Alfred Hitchcock comedy. For three years, the Smiths have been blissed but battling. When a technicality voids their union, Mr. misses Mrs., orbiting the tale into the delightful confection of the screwball genre.

  5. Hace 3 días · It’s no spoiler to say that Purefoy won’t wind up with Longoria, anymore than Rosalind Russell, Carole Lombard and Ginger Rogers would choose Ralph Bellamy over Cary Grant, Fred McMurray and ...

  6. www.yahoo.com › entertainment › 32-actors-died-tragically-13341967332 Actors Who Died Tragically

    Hace 1 día · Carole Lombard. One of the biggest stars in the Golden Age of Hollywood, Carole Lombard was one of the funniest actresses of her day. She was loved by millions and her popularity indirectly led to ...

  7. Hace 1 día · Carole Lombard and Robert Montgomery in Mr. & Mrs. Smith (Photo: Warner Archive) MR. & MRS. SMITH (1941). Alfred Hitchcock’s third film after landing in America — the first two were the 1940 beauties Rebecca and Foreign Correspondent — remains one of his most unexpected.

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